A police inspector Dusan investigates an unusual case, the death of Marjan Ozim. The inspector develops an obsession with the case, especially when he realizes it was suicide. He starts to live in the deceased's apartment, digging through his life, getting involved with people Marjan Ozim knew, gradually taking over his identity. As the story progress, the reasons for the inspector's obsession are revealed step by step. One of them is death of his daughter Eva, who died in a car accident, when Dusan was driving the car. His ex-wife blames him for theirs daughter's death in the accident, which took place on the very same bridge where Marjan Ozim committed suicide. From time to time, Dusan returns to the bridge, the location of both accidents, where he looks down into the abyss below, perhaps considering taking his own life. Dusan develops an unusual relationship with Marjan's former secret lover Milena. He finds out that she blames herself for Marjan's death, because she left him to return to her family. Eventually she discovers that Marjan had other lovers while he was seeing her. This beautiful, somewhat mysterious woman enraptures Dusan as well. The dividing line between inspector Dusan's and the Marjan Ozim's life is slowly disappearing. Once, in a surge of passion, Dusan and Milena make love in the Marjan's apartment, with Dusan ?in the role? of Marjan. As the moment of passion fades, this brief relationship also turns out to be just another blind alley for Dusan. By the end of the film, it becomes uncertain whether Dusan is even investigating the suicide of Marjan Ozim, or actually his own. A film that starts as a police thriller and then continues as an intimate thriller. Film where death is waiting to happen.

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游客2020-08-31
文艺片，非惊悚片。

游客2020-08-31
　　A police inspector Dusan investigates an unusual case the death of Marjan Ozim. The inspector develops an obsession with the case especially when he realizes it was suicide. He starts to live in the deceased's apartment digging through his life getting involved with people Marjan Ozim knew gradually taking over his identity. As the story progress the reasons for the inspe...

游客2020-08-31
同样对白不多，比起十几年前拍《跟着火车去旅行》现在的伊戈尔·斯特克更多了一些冷峻，音乐用的比以前少了，每次音乐响起来的时候正好是在你心里的那个点上，他的电影还是一如既往的美！

游客2020-08-31
文艺明显不是我的菜

游客2020-08-31
我喜欢有钢琴的电影···